Qenq’o is a pre-Spanish ceremonial center located 2 ½ miles
north of Cusco – about a half-hour’s walk from the fortress of Sacsayhuaman. On a rainy afternoon, I had the chance to explore the large amphitheater, as well as the caves that were hollowed out of the boulder. Check out my video to see these!
Qenq'o is a huge limestone outcrop that has been carved into an
Sacsayhuaman
is one of the great archaeological secrets of Peru – and of the world for that
matter. The megalithic stones that form its zig-zagging walls beg the question
of how, why, and by whom such a spectacular citadel was built. But for the
curious visitor, the northeastern edge of the complex offers an experience that
is just as unique and mysterious as the famous walls. In 2017, I had the
opportunity to visit and explore Sacsayhuaman’s network of caves, tunnels, stairs, and thrones.
On that
cold, rainy afternoon, I spent several hours hiking around the backside of
Sacsayhuaman. To reach this lesser known part of the complex, one only needs to
traverse the wide, grassy plaza, then climb the long, stone stairway to the top
of the mound.
One of the
most impressive pre-Columbian ruins in Peru is Sacsayhuaman (SACK-say-wuh-MON).
This massive structure overlooks Cusco from the north and, according to some
sources, is the largest megalithic project ever completed in the western hemisphere.
Many historians believe it was built as an Inca fortress or ceremonial center, but
its size and grandeur have stimulated other, less orthodox explanations, as
well. Something everyone can agree upon is that Sacsayhuaman has astounded
generations of visitors since the conquistadors
arrived 500 years ago. Today, it is a must-see for any visitor to Cusco who is interested
in history, architecture, and ancient mysteries.
Supposing
Sacsayhuaman was designed as a fortress, its builders could hardly have chosen
a more strategic location. Situated 1000 feet above Cusco – and more than two
miles above sea level – Sacsayhuaman would have been a challenging objective
for attacking forces. On its three sides are steep slopes covered in thick
vegetation. Breathing hard from my 30-minute climb to the site, I
couldn’t help thinking these factors would work to the advantage of anyone
defending the stronghold. Moreover, its summit offers a commanding view of the
valley. When I reached its top, looking down at the Cusco, I could clearly make
out the Plaza de Armas at the city’s
center, as well as mountaintops many miles away.
The
Cathedral Basilica is one of Cusco’s best-known sites, and easily familiar to
anyone who has been to the city. Situated on the eastern edge of the Plaza de Armas, this large and beautiful
Renaissance style structure dominates the historic district’s skyline. During
my recent visit there, I spent many hours passing beneath its spires, resting
upon broad steps, or using it as a backdrop in my photos of the local culture.
I was
introduced to the cathedral a couple years ago when I began researching my
upcoming novel. By the time I boarded a plane for Cusco last October, I had
probably spent hundreds of hours imagining myself (through the eyes of my
characters) gazing up at the impressive sight. So, when I actually saw the cathedral in person, it was literally a dream come true. On my way to my hotel,
while gazing out the windshield of a taxi, the architectural masterpiece rose impressively
into view.
One of the
best examples of the megalithic stonework of pre-Columbian Peru is found along Cusco’s
Calle Hatunrumiyoc, or “Street of the
Great Stone.”
Located
just east of the Plaza de Armas, this
charming pedestrian alley is flanked by walls of large, polygonal stones that
typify the “imperial” style of masonry assembled by a pre-Spanish civilization.
Fashioned from green diorite, the blocks are set with mind-boggling precision. No
mortar was used, yet their joints are so tight that a knife blade cannot be
inserted between them. Perhaps most extraordinarily, these walls have survived
at five centuries of earthquakes that devastated many Spanish (and even
contemporary) structures.
One of the
oldest and most mysterious symbols in Peru is the Andean Cross. This geometric
design is seen throughout the country’s textiles, jewelry, and architecture,
including several ancient places and holy temples. The cross is examined in many
books and websites, too. During my recent trip to Peru, I saw the symbol in
nearly every shop or market I visited (and I came home with numerous souvenirs
to prove it!).
I was
introduced to the Andean Cross long before I visited Peru, back when I first
began researching the Incas. Each account I read seemed to present a different
interpretation of the design. Some suggested a religious meaning, others
spiritual or cosmic, and a few purely geometric. When I arrived in Cusco, I
asked several locals – from storekeepers to cultural experts – and got just as
many answers! In this blog/video post, I'll share some of the most common interrpetations.
One of the many spectacular sites
that I visited during my recent trip to Cusco was Calle Inca Roca. Located just east of the Plaza de Armas, this pedestrian alley features the impressive megalithic
stonework of Peru’s pre-Columbian (pre-European) time. For the tourist, this street
also provides a unique bonus: the patterns of two of the Andes’ most
spiritually symbolic animals are camouflaged within the stonework.
With a full belly, I set out for the
Cathedral, retracing my footsteps west along Calle Hatunrumiyoc, or “Street of
the Great Stone.” Along the way, I discovered the twelve angle-stone, which is probably the single most famous
example of pre-Columbian stonework in Cusco. Clearly named for its remarkable shape,
this boulder is emplaced in the street’s southern wall. On that day, it was crowded
with tourists. So, I took several photos “from the hip,” and then decided to return
early the next morning (which, by the way, is the best time to view Cusco’s
sites).