The Coricancha: Part 4

This is the final blog post (and video) about the Coricancha, or “Great Enclosure,” located in Cusco, Peru. Here are the links to Part 1 and Parts 2 and 3.

My final hours at the Coricancha were spent investigating the many trapezoidal doorways and niches, as well as the mysterious enclosures located on the eastern and western sides of the complex. I also investigated the instructive model that site curators constructed to theorize what the entire structure may have looked like before the Spaniards attacked it with their crowbars. Next, I ventured outside to investigate the top of the distinctive, curved wall on the Coricancha’s exterior, paying particular attention to the perplexing square- and rectangle-shaped protrusions on the stones. My visit concluded with an examination of two modern paintings – of the Milky Way and invisible “ceque” lines – on display in an open-aired hallway, and which emphasize this site’s astrological and religious function.

In previous posts and videos, I spend a significant amount of time discussing the trapezoid shape used at the Coricancha and throughout pre-Spanish architecture;

At the Door

At the Door: A Short Story

by Andrew C. Katen

One minute, I was sitting in my work cubicle. The next, I was standing outside a doorway, across from a stranger. Had I just been transported to another dimension? Perhaps I was just dreaming.

“Welcome,” the man said in a soft, soothing voice. He was dressed casually, in material that flowed easily. I don’t usually remember such details, but I believe his clothes were white, or maybe cream-colored. Seems like he wore a short-sleeved collared shirt that was tucked into slacks. His hair was blonde, jaw square, and teeth perfect. The man exuded neatness, cleanliness, and impeccability. Was he a television actor, or an angel?

            When he smiled, I felt the sincerity of his kindness in the depths of my soul. This man was genuinely pleased to see me.